The Peruvian Galapagos Islands feature in Hammer’s film Endangered, where Blue-footed Boobies, seals and iguanas are equated with the filmmaker herself who identifies light, life and the genre of experimental film to be threatened with extinction in this late twentieth century. Every image is marked and cancelled before it disappears. Even the emulsion of the film is treated with acid showing its fragility. The film is a highly effective compilation of image, colour and sound building upon each other, slowly heightening the sense of urgency. Against this mood there is a reassuring image of a silhouetted woman working at the film projector. A strong, competent, fearless woman. Woman documenting, warning, saving.
