G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak
Robert Fischer
Dalton Trumbo: Rebel in Hollywood
Dietrich Icon
Fassbinder in Hollywood
Le Poête et le Cinéaste: Volker Schlöndorff à propos de 'Baal'
Life As It Is: Miloš Forman on Miloš Forman
Touching Death: Alejandro Amenábar on 'Tesis'
Working with Max Ophuls: Daniel Gélin on "Le Plaisir"
Program Notes: An Introduction To The Last Detail By Alexander Payne
Perspectives on Othello: Joseph McBride on Orson Welles
Beyond Melodrama: Kathryn Bigelow on Douglas Sirk
Moral Tales, Filmic Issues: A Conversation between Barbet Schroeder and Eric Rohmer
Expedition Amazonia
Contract Kid: William Reynolds on Douglas Sirk
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
Jack Arnold Remembers The Incredible Shrinking Man
Traveling Roadshow
Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'
Outer Movement, Inner Movement
Hans Fromm on 'Phoenix'
Black and White in Color: Vilmos Zsigmond on 'Blow Out'
The Fury: A Location Journal
Spinning Tales: Fiona Lewis on Brian De Palma's 'The Fury'
Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz
